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Contents
editorial
LOUIS CHUDE-SOKEI WITH IR INDIGENOUS RESISTANCE
Sharp as a Blade: Decolonizing Decolonization
RATO MID FREQUENCY
Social Death Beyond Blackness
HUGO CANHAM
Exchanging black excellence for failure
SABELO J NDLOVU-GATSHENI
The Dynamics of Epistemological Decolonisation in the 21st Century: Towards Epistemic Freedom
MALAIKA WA AZANIA
The Timbila LIbrary - 120 books to read by age 28
Theme Timbila Library
NOSIPHO KOTA
Seven Poems
MING DI
“Through Multiculturalism We Become Better Humans”: A Conversation with Vonani Bila
VONANI BILA
Ancestral Wealth
TINYIKO MALULEKE
An Ode to Xilamulelamhangu: English-Xitsonga Dictionary
MZI MAHOLA
Three Poems
MXOLISI NYEZWA
Seven Notes To A Black friend, The Dance of the Ancestors and Two Other Songs That Happened
SANDILE NGIDI
Three Poems
LUCAS LEDWABA
'I have nothing left' – flood victims count the costs
MASERAME JUNE MADINGWANE
Two Poems
RAPHAEL D’ABDON
Resistance Poetry in Post-apartheid South Africa: An Analysis of the Poetic Works and Cultural Activism of Vonani Bila
MPUMI CILIBE
American Toilet Graffiti: JFK Airport 1995
MPHUTLANE WA BOFELO
Language is Land
MAKHOSAZANA XABA
Poems from These Hands
VONANI BILA
The Pig and four other poems
MAROPODI HLABIRWA MAPALAKANYE
Troublemaker’s Prison Letter
KGAFELA OA MAGOGODI
Four Outspoken Poems
DAVID WA MAAHLAMELA
Three Poems
VUYISILE MSILA
People’s English in the Poetry of Mzi Mahola and Vonani Bila
THEMBA KA MATHE
Three Poems
MZWANDILE MATIWANA
Three Poems
ROBERT BEROLD
Four Poems
AYANDA BILLIE
Four Poems
MM MARHANELE
Three Poems
VONANI BILA
The Magician
VUYISILE MSILA
Four Poems
KELWYN SOLE
Craft Wars and ’74 – did it happen? (unpublished paper)
galleri
TSHEPO SIZWE PHOKOJOE
The Gods Must Be Crazy
THAIO ABRAHAM LEKHANYA
Mary Sibande: Reimagining the Figure of the Domestic Worker
KHEHLA CHEPAPE MAKGATO
TŠHIPA E TAGA MOHLABENG WA GAYO
DATHINI MZAYIYA
Early Works
LEFIFI TLADI
Two Letters to Kemang Wa Lehulere
TENDAI RINOS MWANAKA
Mwanaka Media: all sorts of haunts, hallucinations and motivations
ROFHIWA MADAU
Colour Bars
THULILE GAMEDZE
No end, no fairytale: On the farce of a revolutionary ‘hey day’ in contemporary South African art
KEITH ADAMS
Vakalisa Arts Associates, 1982–1992: Reflections
SAM MATHE
On Comic Books
OBINNA OBIOMA
Anyi N’Aga (We Are Going )
borborygmus
NDUDUZO MAKHATHINI
uNomkhubulwane and songs
RICHARD PITHOUSE
The radical preservation of Matsuli Music
BONGANI TAU
Ukuqophisa umlandu: Using fashion to re-locate Black Psyche in a Township
ALON SKUY
Marikana 2012/2022
CARSTEN RASCH
Searching for the Branyo
VONANI BILA
Dahl Street, Pietersburg
frictions
IGNATIA MADALANE
Not on the List
SITHEMBELE ISAAC XHEGWANA
IMAGINED: (excerpt)
ALEXANDRA KALLOS
A Kite That Bears My Name
SHANICE NDLOVU
When I Think Of My Death
VONANI BILA
The day I killed the mamba
ALLAN KOLSKI HORWITZ
Three New Poems
MPHUTLANE WA BOFELO
Biko, Jazz and Liberation Psychology
M. AYODELE HEATH
Three Poems
ZAMOKUHLE MADINANA
Three Poems
MASELLO MOTANA
Four BLK Poems
FORTUNATE JWARA
Three Delusions
NIEVILLE DUBE
Three Joburg Stories
VERNIE FEBRUARY
Of snakes and mice — iinyoka neempuku
KNEO MOKGOPA
Woundedness
claque
VONANI BILA
Poetry of social obliteration and intimacy
MZOXOLO VIMBA
The weight of the sack: Hessian, history and new meaning in Tshepo Sizwe Phokojoe’s “The Gods Must be Crazy” exhibition.
LORRAINE SITHOLE
Heading
NEO RAMOUPI
title
DIMAKATSO SEDITE
title
MENZI MASEKO
Acknowledging Spiritual Power Beyond Belief - A Review of Restoring Africa’s Spiritual Identity by African Hidden Voices (AHV)
ekaya
VONANI BILA
The Timbila Poetry Project
LWAZI LUSHABA
A Video Call with Kopano Ratele on Politics and the Black Psyche, 22 July 2024
MARTIN JANSEN
Where is the Better Lyf You Promised Us?
THOMAS HYLLAND ERIKSEN & RIAAN OPPELT
Post-apartheid diversification through Afrikaaps: language, power and superdiversity in the Western Cape
THADDEUS METZ
Academic Publishing is a Criminal Operation
MARGARET E. WALKER
Towards a Decolonized Music History Curriculum
VONANI BILA
Probing ‘Place’ as a Catalyst for Poetry
off the record
MIRIAM MAKEBA
Sonke Mdluli
ACHILLE MBEMBE
Decolonizing Knowledge and the Question of the Archive
ZAKES MDA
Biko's Children (12 September 2001)
VONANI BILA
Ku Hluvukile eka ‘Zete’: Recovering history and heritage through the influence of Xitsonga disco maestro, Obed Ngobeni
MATSULI MUSIC
The Back Covers
THEODORE LOUW
Reminiscing
GAVIN STEINGO
To be filled
LEHLOHONOLO PHAFOLI
The Evolution of Sotho Accordion Music in Lesotho: 1980-2005
DOUGIE OAKES
On Arthur Nortje, The Poet Who Wouldn’t Look Away
PULE LECHESA
Sophonia Machabe Mofokeng: Distinguished Essayist and Dramatist in the pantheon of Sesotho Literature
NOKUTHULA MAZIBUKO
Spring Offensive
WALTER MIGNOLO
Presentación El cine en el quehacer (descolonial) del *hombre*
feedback
MUSA SITHOLE
In Defence of Afropessimism: Aryan Kaganof’s Miseducation(reading) of Frank B. Wilderson III – ANTIBLACKNESS AND THE QUESTION OF PALESTINE
OSCAR HEMER
16 October 2025
NIDA YOUNIS
22 September 2025
PALESA MOKWENA
9 October 2024
MATTHEW PATEMAN
11 August 2024
RAFIEKA WILLIAMS
12 August 2023
ARYAN KAGANOF
26 October 2021 – A letter to Masixole Mlandu
FACEBOOK FEEDBACK
Facebook
herri_gram FEEDBACK
Instagram
PhD
ALICE PATRICIA MEYER
Timbila Poetry: Vonani Bila’s Poetic Project
the selektah
VONANI BILA
Vonani's Choice
ARYAN KAGANOF
herri films
hotlynx
hotlynx
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the back page
MENZI APEDEMAK MASEKO
The Meaning of ‘Bantu’
ROLANDO VÁZQUEZ
Translation as Erasure: Thoughts on Modernity’s Epistemic Violence
VONANI BILA
Moses, we shall sing your Redemption Song
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OSCAR HEMER

16 October 2025

Does anyone think that holding another demonstration or signing another petition will forestall the destruction of Gaza City as planned for September 2025? Writer Imraan Coovadia asks the rhetorical question in the latest issue of the outstanding South African multimedia magazine herri (#11), which is entirely devoted to Gaza. Afterwards, he continues, the architects, financiers and guardians of Gaza’s “death-world” (Achille Mbembe’s term) will still be in place and we will have to live with them in some way – and with ourselves, although we didn’t manage to pause the killing for a single day.

Living with former perpetrators and accomplices is an almost universal human experience, not only in Germany, Spain, Cambodia, South Africa and other countries that have more and less profoundly come to terms with their traumatic past. But being forced to live with states and regimes that committed genocide and got away with it is something else, although not new. Turkey was never punished for the systematic murder of one and a half million Armenians, Assyrians, Syrians and Chaldeans, but it is difficult to hold Erdogan or any other living Turk responsible for what happened more than a hundred years ago. However, a parallel can be drawn between Putin’s Russia’s forced adoptions of Ukrainian children and the Holodomor, Stalin’s orchestrated mass famine. Whether Putin will ever be held accountable remains to be seen. Russia is in any case subject to significant sanctions.

Israel’s crimes against humanity in Gaza and the West Bank are not only taking place in real time but are being broadcast live while the world watches – or looks away. Netanyahu’s murderous regime can count on the full support of the US, regardless of who is in the White House. A divided EU cannot even agree to “put pressure” on its ally to let in emergency aid after the bombings

South Africa, on the other hand, has acted decisively by bringing the Netanyahu regime before the war crimes tribunal in The Hague. There are several reasons why South Africa feels special ties to Palestine. The most important is its own experience of apartheid and a struggle against a military and political supremacy that for a long time seemed hopeless.

South Africans with experience of their own country’s dramatic – certainly not unproblematic – transformation not only have the authority to speak out about Gaza; they feel a duty to do so. Among the more than eighty contributors to this unusually well-fed special issue are scarred anti-apartheid fighters like Pastor Allan Boesak, internationally renowned artists like Candice Breitz and Tracey Rose, and a host of younger writers, artists, academics and activists.

Steven Robins, author of Letters of Stone: From Nazi Germany to South Africa, describes how an abstracted and context-free “anti-Semitism” has become a pretext for stifling academic freedom not only in the United States and Europe but also in South Africa. herri’s curator the multi-artist Aryan Kaganof, views the violence in Gaza through a lens that combines the “Afro-pessimism” thesis of structural powerlessness and neglect with the less defeatist analysis represented by thinkers like Anna Tsing.

What has come to be called “decay studies” also looks at what happens after the destruction. Decay is not just a process of rotting, but also transformation in which new ecologies arise.

According to Tsing, hope for the future sprouts in the ruins of global capitalism. Although it is difficult and even offensive to try to discern hope in the traditional sense in today’s Gaza, Kaganof nevertheless sees something hopeful in Gaza’s refusal to disappear. To insist on the obstinacy of life, even when stripped of futurity; to remain, even in fragments, is a kind of counter-spell. A refusal to be unspoken.

Not all analyses are equally nuanced, but the collective expressive power of herri’s manifestation is enormous. It comes from solidarity – an almost forgotten concept – and precisely the feeling of necessity.

Comparing the apartheid states of South Africa and Israel was only a few years ago considered just as offensive as the grotesque comparison with Nazi Germany. From a South African perspective, the parallel is obvious, and thus also how the outside world should act.

Allan Boesak calls for a boycott and isolation of Israel in the same way as South Africa was boycotted and isolated forty years ago.

What he seems to forget, however, is that the Western world was divided even then. Remember that Margaret Thatcher called Nelson Mandela a “terrorist”. Nor were the sanctions the cause of the apartheid regime’s fall, but the end of the Cold War and the collapse of the Soviet Union. South Africa’s peaceful transition to democracy could probably only have occurred during the historical parenthesis of the nineties.

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MUSA SITHOLE
NIDA YOUNIS
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