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12
Contents
editorial
LOUIS CHUDE-SOKEI WITH IR INDIGENOUS RESISTANCE
Sharp as a Blade: Decolonizing Decolonization
RATO MID FREQUENCY
Social Death Beyond Blackness
HUGO CANHAM
Exchanging black excellence for failure
SABELO J NDLOVU-GATSHENI
The Dynamics of Epistemological Decolonisation in the 21st Century: Towards Epistemic Freedom
MALAIKA WA AZANIA
The Timbila LIbrary - 120 books to read by age 28
MARK WALLER
It’s time to make arts and culture serve the people
Theme Timbila Library
NOSIPHO KOTA
Seven Poems
MING DI
“Through Multiculturalism We Become Better Humans”: A Conversation with Vonani Bila
VONANI BILA
Ancestral Wealth
TINYIKO MALULEKE
An Ode to Xilamulelamhangu: English-Xitsonga Dictionary
MZI MAHOLA
Three Poems
MXOLISI NYEZWA
Seven Notes To A Black friend, The Dance of the Ancestors and Two Other Songs That Happened
SANDILE NGIDI
Three Poems
LUCAS LEDWABA
'I have nothing left' – flood victims count the costs
MASERAME JUNE MADINGWANE
Two Poems
RAPHAEL D’ABDON
Resistance Poetry in Post-apartheid South Africa: An Analysis of the Poetic Works and Cultural Activism of Vonani Bila
MPUMI CILIBE
American Toilet Graffiti: JFK Airport 1995
MPHUTLANE WA BOFELO
Language is Land
MAKHOSAZANA XABA
Poems from These Hands
VONANI BILA
The Pig and four other poems
MAROPODI HLABIRWA MAPALAKANYE
Troublemaker’s Prison Letter
KGAFELA OA MAGOGODI
Four Outspoken Poems
DAVID WA MAAHLAMELA
Three Poems
VUYISILE MSILA
People’s English in the Poetry of Mzi Mahola and Vonani Bila
THEMBA KA MATHE
Three Poems
MZWANDILE MATIWANA
Three Poems
ROBERT BEROLD
Four Poems
AYANDA BILLIE
Four Poems
MM MARHANELE
Three Poems
VONANI BILA
The Magician
VUYISILE MSILA
Four Poems
KELWYN SOLE
Craft Wars and ’74 – did it happen? (unpublished paper)
galleri
TSHEPO SIZWE PHOKOJOE
The Gods Must Be Crazy
THAIO ABRAHAM LEKHANYA
Mary Sibande: Reimagining the Figure of the Domestic Worker
KHEHLA CHEPAPE MAKGATO
TŠHIPA E TAGA MOHLABENG WA GAYO
DATHINI MZAYIYA
Early Works
LEFIFI TLADI
Two Letters to Kemang Wa Lehulere
TENDAI RINOS MWANAKA
Mwanaka Media: all sorts of haunts, hallucinations and motivations
ROFHIWA MADAU
Colour Bars
THULILE GAMEDZE
No end, no fairytale: On the farce of a revolutionary ‘hey day’ in contemporary South African art
KEITH ADAMS
Vakalisa Arts Associates, 1982–1992: Reflections
SAM MATHE
On Comic Books
OBINNA OBIOMA
Anyi N’Aga (We Are Going )
borborygmus
NDUDUZO MAKHATHINI
uNomkhubulwane and songs
RICHARD PITHOUSE
The radical preservation of Matsuli Music
BONGANI TAU
Ukuqophisa umlandu: Using fashion to re-locate Black Psyche in a Township
ALON SKUY
Marikana 2012/2022
CARSTEN RASCH
Searching for the Branyo
VONANI BILA
Dahl Street, Pietersburg
frictions
IGNATIA MADALANE
Not on the List
SITHEMBELE ISAAC XHEGWANA
IMAGINED: (excerpt)
ALEXANDRA KALLOS
A Kite That Bears My Name
SHANICE NDLOVU
When I Think Of My Death
VONANI BILA
The day I killed the mamba
ALLAN KOLSKI HORWITZ
Three New Poems
MPHUTLANE WA BOFELO
Biko, Jazz and Liberation Psychology
M. AYODELE HEATH
Three Poems
ZAMOKUHLE MADINANA
Three Poems
MASELLO MOTANA
Four BLK Poems
FORTUNATE JWARA
Three Delusions
NIEVILLE DUBE
Three Joburg Stories
VERNIE FEBRUARY
Of snakes and mice — iinyoka neempuku
KNEO MOKGOPA
Woundedness
claque
VONANI BILA
Poetry of social obliteration and intimacy
MZOXOLO VIMBA
The weight of the sack: Hessian, history and new meaning in Tshepo Sizwe Phokojoe’s “The Gods Must be Crazy” exhibition.
LORRAINE SITHOLE
Heading
NEO RAMOUPI
title
DIMAKATSO SEDITE
title
MENZI MASEKO
Acknowledging Spiritual Power Beyond Belief - A Review of Restoring Africa’s Spiritual Identity by African Hidden Voices (AHV)
ekaya
VONANI BILA
The Timbila Poetry Project
LWAZI LUSHABA
A Video Call with Kopano Ratele on Politics and the Black Psyche, 22 July 2024
MARTIN JANSEN
Where is the Better Lyf You Promised Us?
THOMAS HYLLAND ERIKSEN & RIAAN OPPELT
Post-apartheid diversification through Afrikaaps: language, power and superdiversity in the Western Cape
THADDEUS METZ
Academic Publishing is a Criminal Operation
MARGARET E. WALKER
Towards a Decolonized Music History Curriculum
VONANI BILA
Probing ‘Place’ as a Catalyst for Poetry
off the record
MIRIAM MAKEBA
Sonke Mdluli
ACHILLE MBEMBE
Decolonizing Knowledge and the Question of the Archive
ZAKES MDA
Biko's Children (12 September 2001)
VONANI BILA
Ku Hluvukile eka ‘Zete’: Recovering history and heritage through the influence of Xitsonga disco maestro, Obed Ngobeni
MATSULI MUSIC
The Back Covers
THEODORE LOUW
Reminiscing
GAVIN STEINGO
To be filled
LEHLOHONOLO PHAFOLI
The Evolution of Sotho Accordion Music in Lesotho: 1980-2005
DOUGIE OAKES
On Arthur Nortje, The Poet Who Wouldn’t Look Away
PULE LECHESA
Sophonia Machabe Mofokeng: Distinguished Essayist and Dramatist in the pantheon of Sesotho Literature
NOKUTHULA MAZIBUKO
Spring Offensive
WALTER MIGNOLO
Presentación El cine en el quehacer (descolonial) del *hombre*
feedback
MUSA SITHOLE
In Defence of Afropessimism: Aryan Kaganof’s Miseducation(reading) of Frank B. Wilderson III – ANTIBLACKNESS AND THE QUESTION OF PALESTINE
OSCAR HEMER
16 October 2025
NIDA YOUNIS
22 September 2025
PALESA MOKWENA
9 October 2024
MATTHEW PATEMAN
11 August 2024
RAFIEKA WILLIAMS
12 August 2023
ARYAN KAGANOF
26 October 2021 – A letter to Masixole Mlandu
FACEBOOK FEEDBACK
Facebook
herri_gram FEEDBACK
Instagram
PhD
ALICE PATRICIA MEYER
Timbila Poetry: Vonani Bila’s Poetic Project
the selektah
VONANI BILA
Vonani's Choice
ARYAN KAGANOF
herri films
hotlynx
hotlynx
.
the back page
MENZI APEDEMAK MASEKO
The Meaning of ‘Bantu’
ROLANDO VÁZQUEZ
Translation as Erasure: Thoughts on Modernity’s Epistemic Violence
VONANI BILA
Moses, we shall sing your Redemption Song
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    #12
  • Theme Timbila Library

MXOLISI NYEZWA

Seven Notes To A Black friend, The Dance of the Ancestors and Two Other Songs That Happened

Seven Notes To A Black Friend


I
i have lived and kept my faith in you
yet an immense loss, a suffering
remains in Pietersburg
in a hallowing well.

II
i’m on your aching leg
alone there. i move like an ox
to its headband. it hurts deeply there
like in childhood.

III
you shock me
with your incisive iron wisdom
which hates speech
or the sound of words.

you hit out
and bright rings
of your stretched hands

cusp my cold heart
in adorable hands.

IV
you are more than rain
or the sound of the flower
or the window-pane.
you are more than fifty fingers.

i blow through the nose
the sky rises upward
like the occult sea

V
i have my own half-bread
with a single eventual suffering.
i have my own world
which prays for the sectional spring
and the garden of poems.

VI
i am laughing completely,
at intervals, that’s all!
i’m ecstatic and sad before you friend
crying and wailing in the soul
before the dead roads end.

VII
i want to say black friend
there are oceans to be sailed
joys and truths unraveled
things that are only felt
in lonely cells.
The Dance of the Ancestors

Dance

The dance of the ancestors lives on. The women with fire-wood on their heads gather with the first whisper of the harmattan and grind the corn. The children in the fields, agile with innocence, the old men in the village and their backs strained hear the maids of violence in the wind and hear the rhythms of the people.

Daylight

Daylight arrives with the smell of thieves. Only the village river flows to retrace its memory, where the people came and where the children in the world one day will return. Only the people must remember the people they are. Only the white moon with its dust, the white starts (with their dust). Only the beginning of murder decaying, the yellow moon in a moon-season. Only the murmur of things murmuring, crime with its blue teeth tip-toeing on the shoes to sigh.

Memory

The memory of dust, of abiding death-light, of the sun with its feet which bleeds coarse blood on the knee. Only the memory in the head looks on like a stranger or like ripe fruit in the sky must put on much emphasis, put on at once a red helmet and too must begin to spiral downwards and go.

Earth

The earth has known the flagging of anger. The earth where everybody goes in their sadness smiles its treacherous smile of hunger, speaks its virile whisper on the land. The earth where the people return time and time again knows the smell of devilry. The earth which so many hold so dear. The earth with its thunders and its guileless smiles. The earth with its prisons. The earth which holds dust and decay in its left hand, holds the greed of corruption in a right hand knows the demise of compassion in its mud. The earth where everybody goes without lamentation, without a shower of conviction. The earth where everyone goes without walloping, without shoes to rest his peaceful murder, a peaceful earth. The earth where everyone goes rapturously dragging along his wet season, his hungry smell of soiled pants, his greyness of defeat, his chocolates of painted blood – a blood of thirst. The earth of mountains and dark shores. The earth where people return time and time again has no compassion. With its muscular heart in its intestine, bowels of hot blood which are running over with spilled blood. Intestines of sorrow which are filled with the blood of sorrow. The earth which is like excrement to the eye and extends to the hand no hand of friendship! Earth with bottles and intestines devoid of LIVING. The earth with the defecated limbs of brothers in its hands. The earth that corrupts the magic of gnomes. This earth of no friendship, its bowels which are bowels of chaotic flames, its bowels which are wet and angry like bood. Slime and death’s excrement have been strewn along its muscles!

Death

Death which must separate the female from the male. Death which must remove my shoes and rip-off my hat from my head. Death which must crawl like an insect, death which has beatings like a fly! Death which sleeps under the bed and crawls on all fours along the floor like a cockroach. Death which must keep the time. Death which must be close to be felt and howls and screams slowly in pain against the house-doors. Death which is a motely crew of slumber and evil dreams, a frightful show. Death which must be felt in the skin and necessarily must entirely be cold. Death which robs us no pain. Death which is discernible to the naked eye and must be ice-cold. 00 C. Death which holds us no vendettas, no culpable scorn. Death which is free to walk wherever he chooses. Death whose heart is pure gold, pure mischief, who strikes at 11 when the father sleeps and the Atlantic croaks like a bullfrog behind the back-wall.
The Teacher of Many Children

to write like a famous teacher
you must respect the eyes of children
an you must know
the famous mouths of lovers
and the stained tissues of little children

before it gets to you
there are two or thirty roads
that you must travel –
before it gets to you now
the radius of infirmity
and the cemeteries of little young ones

there’s a fire in the woods
the refuses to go out
a policeman who roams the streets
and looks for me.

he searches in the dry dirty bins
and in the lowly hotels
and in the hostels
before the sun gets up –
a lonely circumference
and a universe of plain-clothed men.

you must know
i was a teacher of many children
you must know
before the black sun rises
the teeth of angry mules
and clean betrayals.
Something has happened

something has happened relating my history
in the still of night a door banged, shut!

the dum-dum sound of infantry men
the dum-dum sound of guns

screaming out loud
inside my mind.

something happened
fast!
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MZI MAHOLA
SANDILE NGIDI
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