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Contents
editorial
LOUIS CHUDE-SOKEI WITH IR INDIGENOUS RESISTANCE
Sharp as a Blade: Decolonizing Decolonization
RATO MID FREQUENCY
Social Death Beyond Blackness
HUGO CANHAM
Exchanging black excellence for failure
SABELO J NDLOVU-GATSHENI
The Dynamics of Epistemological Decolonisation in the 21st Century: Towards Epistemic Freedom
MALAIKA WA AZANIA
The Timbila LIbrary - 120 books to read by age 28
Theme Timbila Library
NOSIPHO KOTA
Seven Poems
MING DI
“Through Multiculturalism We Become Better Humans”: A Conversation with Vonani Bila
VONANI BILA
Ancestral Wealth
TINYIKO MALULEKE
An Ode to Xilamulelamhangu: English-Xitsonga Dictionary
MZI MAHOLA
Three Poems
MXOLISI NYEZWA
Seven Notes To A Black friend, The Dance of the Ancestors and Two Other Songs That Happened
SANDILE NGIDI
Three Poems
LUCAS LEDWABA
'I have nothing left' – flood victims count the costs
MASERAME JUNE MADINGWANE
Two Poems
RAPHAEL D’ABDON
Resistance Poetry in Post-apartheid South Africa: An Analysis of the Poetic Works and Cultural Activism of Vonani Bila
MPUMI CILIBE
American Toilet Graffiti: JFK Airport 1995
MPHUTLANE WA BOFELO
Language is Land
MAKHOSAZANA XABA
Poems from These Hands
VONANI BILA
The Pig and four other poems
MAROPODI HLABIRWA MAPALAKANYE
Troublemaker’s Prison Letter
KGAFELA OA MAGOGODI
Four Outspoken Poems
DAVID WA MAAHLAMELA
Three Poems
VUYISILE MSILA
People’s English in the Poetry of Mzi Mahola and Vonani Bila
THEMBA KA MATHE
Three Poems
MZWANDILE MATIWANA
Three Poems
ROBERT BEROLD
Four Poems
AYANDA BILLIE
Four Poems
MM MARHANELE
Three Poems
VONANI BILA
The Magician
VUYISILE MSILA
Four Poems
KELWYN SOLE
Craft Wars and ’74 – did it happen? (unpublished paper)
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TSHEPO SIZWE PHOKOJOE
The Gods Must Be Crazy
THAIO ABRAHAM LEKHANYA
Mary Sibande: Reimagining the Figure of the Domestic Worker
KHEHLA CHEPAPE MAKGATO
TŠHIPA E TAGA MOHLABENG WA GAYO
DATHINI MZAYIYA
Early Works
LEFIFI TLADI
Two Letters to Kemang Wa Lehulere
TENDAI RINOS MWANAKA
Mwanaka Media: all sorts of haunts, hallucinations and motivations
ROFHIWA MADAU
Colour Bars
THULILE GAMEDZE
No end, no fairytale: On the farce of a revolutionary ‘hey day’ in contemporary South African art
KEITH ADAMS
Vakalisa Arts Associates, 1982–1992: Reflections
SAM MATHE
On Comic Books
OBINNA OBIOMA
Anyi N’Aga (We Are Going )
borborygmus
NDUDUZO MAKHATHINI
uNomkhubulwane and songs
RICHARD PITHOUSE
The radical preservation of Matsuli Music
BONGANI TAU
Ukuqophisa umlandu: Using fashion to re-locate Black Psyche in a Township
ALON SKUY
Marikana 2012/2022
CARSTEN RASCH
Searching for the Branyo
VONANI BILA
Dahl Street, Pietersburg
frictions
IGNATIA MADALANE
Not on the List
SITHEMBELE ISAAC XHEGWANA
IMAGINED: (excerpt)
ALEXANDRA KALLOS
A Kite That Bears My Name
SHANICE NDLOVU
When I Think Of My Death
VONANI BILA
The day I killed the mamba
ALLAN KOLSKI HORWITZ
Three New Poems
MPHUTLANE WA BOFELO
Biko, Jazz and Liberation Psychology
M. AYODELE HEATH
Three Poems
ZAMOKUHLE MADINANA
Three Poems
MASELLO MOTANA
Four BLK Poems
FORTUNATE JWARA
Three Delusions
NIEVILLE DUBE
Three Joburg Stories
VERNIE FEBRUARY
Of snakes and mice — iinyoka neempuku
KNEO MOKGOPA
Woundedness
claque
VONANI BILA
Poetry of social obliteration and intimacy
MZOXOLO VIMBA
The weight of the sack: Hessian, history and new meaning in Tshepo Sizwe Phokojoe’s “The Gods Must be Crazy” exhibition.
LORRAINE SITHOLE
Heading
NEO RAMOUPI
title
DIMAKATSO SEDITE
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MENZI MASEKO
Acknowledging Spiritual Power Beyond Belief - A Review of Restoring Africa’s Spiritual Identity by African Hidden Voices (AHV)
ekaya
VONANI BILA
The Timbila Poetry Project
LWAZI LUSHABA
A Video Call with Kopano Ratele on Politics and the Black Psyche, 22 July 2024
MARTIN JANSEN
Where is the Better Lyf You Promised Us?
THOMAS HYLLAND ERIKSEN & RIAAN OPPELT
Post-apartheid diversification through Afrikaaps: language, power and superdiversity in the Western Cape
THADDEUS METZ
Academic Publishing is a Criminal Operation
MARGARET E. WALKER
Towards a Decolonized Music History Curriculum
VONANI BILA
Probing ‘Place’ as a Catalyst for Poetry
off the record
MIRIAM MAKEBA
Sonke Mdluli
ACHILLE MBEMBE
Decolonizing Knowledge and the Question of the Archive
ZAKES MDA
Biko's Children (12 September 2001)
VONANI BILA
Ku Hluvukile eka ‘Zete’: Recovering history and heritage through the influence of Xitsonga disco maestro, Obed Ngobeni
MATSULI MUSIC
The Back Covers
THEODORE LOUW
Reminiscing
GAVIN STEINGO
To be filled
LEHLOHONOLO PHAFOLI
The Evolution of Sotho Accordion Music in Lesotho: 1980-2005
DOUGIE OAKES
On Arthur Nortje, The Poet Who Wouldn’t Look Away
PULE LECHESA
Sophonia Machabe Mofokeng: Distinguished Essayist and Dramatist in the pantheon of Sesotho Literature
NOKUTHULA MAZIBUKO
Spring Offensive
WALTER MIGNOLO
Presentación El cine en el quehacer (descolonial) del *hombre*
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MUSA SITHOLE
In Defence of Afropessimism: Aryan Kaganof’s Miseducation(reading) of Frank B. Wilderson III – ANTIBLACKNESS AND THE QUESTION OF PALESTINE
OSCAR HEMER
16 October 2025
NIDA YOUNIS
22 September 2025
PALESA MOKWENA
9 October 2024
MATTHEW PATEMAN
11 August 2024
RAFIEKA WILLIAMS
12 August 2023
ARYAN KAGANOF
26 October 2021 – A letter to Masixole Mlandu
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ALICE PATRICIA MEYER
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ARYAN KAGANOF
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MENZI APEDEMAK MASEKO
The Meaning of ‘Bantu’
ROLANDO VÁZQUEZ
Translation as Erasure: Thoughts on Modernity’s Epistemic Violence
VONANI BILA
Moses, we shall sing your Redemption Song
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MUSA SITHOLE

In Defence of Afropessimism: Aryan Kaganof’s Miseducation(reading) of Frank B. Wilderson III – ANTIBLACKNESS AND THE QUESTION OF PALESTINE

In his essay “On Power and Powerlessness: Genocide in Gaza Through the Lens of Afropessimism and Decay Studies,” Aryan Kaganof attempts a powerful reading of the slaughter in Gaza: the annihilation of a people, the architecture of elimination, the collapse of infrastructures and futures. It is an essay of urgency and moral anguish, yet it stops at the precipice of its own metaphor. What is described as “powerlessness” risks becoming aesthetic rather than structural. The invocation of Afropessimism gestures toward depth but never descends into it. The text mourns but does not dismantle.

Afropessimism by Frank B. Wilderson III.

There is a fissure in his analysis which opens onto a deeper severance, one that must be confronted if we are to think rigorously and not merely rhetorically about the Palestinian catastrophe. That fissure is the refusal (or inability) to reckon fully with the ontological axis of anti-Blackness as laid out by Frank B. Wilderson III. Wilderson insists that Blackness is not one among many subordinations; it is the paradigmatic site of social death, the foundational exclusion against which the category of the human is established. He writes that slavery did not “end” but was transmuted into the figures of fungibility, disappearance, object, cast-away. In his terms: “To be Black is to be socially dead.”

I have also attempted to bring Frantz Fanon into this terrain to reopen the wound that Kaganof only traces at its surface. Fanon did not theorise the colonised as metaphor; he theorised them as a condition, as a fracture, as a consequence of Europe’s metaphysical lie. In The Wretched of the Earth, Fanon warns that the coloniser’s world is “a world cut in two,” a compartmentalised geography where the colonised is not only confined but ontologically mutilated.

But Fanon would remind us that the colonised do not merely suffer; they are coerced into complicity with their own disfiguration. The colonised mind becomes a battlefield in which Europe’s categories reproduce themselves through despair.

This is where Kaganof’s alignment of the Palestinian with the “Black” position, through the lexicon of Afropessimism, becomes perilous. Fanon’s distinction is exact: the colonial subject can still dream of liberation, however deferred; but the Black, under the regime of anti-Blackness, is not permitted even that dream. The Black is not a subject of history but its negation, a body through which history narrates its own superiority. This is the tension which Wilderson also exposes and refuses to soften. In his dialogue with the “Palestinian question,” Wilderson asserts that to analogise Gaza to the plantation is to flatten ontology into circumstance. For him, the Black is not oppressed as a people but erased as a category of the human. The Palestinian, however dispossessed, remains within the realm of political recognition; the Black remains beneath its floor.

Kaganof applies Afropessimism to the Palestinian condition; he draws the analogy: Palestinians are positioned like “Black” people under racial capitalism, rendered ungrievable, fungible and expendable. Here is where things must be sharpened. Wilderson would reject the analogy because it obscures the specificity of anti-Blackness rather than enlarging solidarity. In a pointed passage, he recounts a Palestinian friend’s remark: “the shame and humiliation runs even deeper if the Israeli soldier is an Ethiopian Jew” That remark triggers a revelation in Wilderson: that in the unconscious of Palestinian insurgents, the same antagonism toward Blackness appears as in the minds of Israeli state society.

Thus, the question: What does it mean for Palestinians to be likened to Blacks under structural non-humanity when Palestinians themselves may participate in anti-Blackness? Wilderson refuses simple analogies. He holds that comparison across subordinated groups, when it evokes “we all victims” logic, effaces the ontological horizon of anti-Blackness and reproduces its grammar.

Kaganof’s move is poetic and urgent: Gaza as geography of entrapment, genocide not just of bodies but of memory, life, air. That remains valid. His invocation of decay studies, ruination as method, and collapse as infrastructure of violence is compelling, and I am being generous here. But his analogical extension to Palestinians as Afro-positional figures risks flattening the systemic architecture Wilderson describes. It allows a false equality: Palestinians suffer, yes, they are wandering in the ruins of the world that has decided who matters. But to frame their suffering as coterminous with the Black structure of fungibility is to misrecognise the layering of sovereignty, settler colonial difference, race, and anti-Blackness.

We should say plainly: The genocide in Gaza is genocide.

The refusal of recognition, the collapse of infrastructure, the nighttime of the world in which Gaza lives, Kaganof captures that. But if we accept the Wilderson frame strictly, then Palestinians do not occupy the ontological position of the irredeemable “social death” that defines Blackness. They remain within, at least notionally, the human subject-category, the subject who can suffer, be recognised, have rights (even if selectively). That difference matters politically. If we refuse it, we might cascade into a humanitarianism that universalises violence and erases hierarchies of disposability.

From the vantage of Wilderson, a Palestinian state or sovereignty cannot simply reverse the equation of disposability; it may inherit the structures of anti-Blackness. He warns: “Yeah we’re going to help you get rid of Israel, but the moment that you set up your shit, we’re going to be right there to jack you up, because anti-Blackness is as important and necessary to the formation of Arab psychic life as it is to the formation of Jewish psychic life.”

Hence, a brutal implication: If one cares about justice, one must attend to the axis of anti-Blackness as the ground of global power-machinery. One must insist on the irreducibility of Black social death even when the death of Palestinians stings and outrages. To conflate them is to collapse analytic precision and to enable forms of solidarity that evaporate under scrutiny. True solidarity requires recognition of difference of position, of structure, of ontology, not just alignment of pain.

In response to Kaganof: Yes, document the ruination. Yes, indict the architecture of erasure. But also: name the asymmetry. Do not stop at Gaza as a parable of structural violence; interrogate the world-system’s foundational architecture in which Blackness is the zero point. Egypt, Israel, the West, the Arab regimes, they all sustain themselves on paradigms of who matters and who is disposable. And Palestine cannot be set in symmetrical relation to Black disposability without losing something of its analytic truth and political potential.

This is the brutal fact: The world has designated some lives as ungrievable. Black lives sit at that core. The Palestinian catastrophe takes shape in relation to that core but does not dissolve it. Any analysis that ignores that distinction will beautify catastrophe rather than clarify it. All eyes on occupied Azania (South Africa), Sudan, Congo, Haiti, Jamaica, Somalia and all other Black people who are fighting settler-colonialism worldwide. Izwe Lethu!

Oct 31, 2025

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OSCAR HEMER
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