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12
Contents
editorial
LOUIS CHUDE-SOKEI WITH IR INDIGENOUS RESISTANCE
Sharp as a Blade: Decolonizing Decolonization
RATO MID FREQUENCY
Social Death Beyond Blackness
HUGO CANHAM
Exchanging black excellence for failure
SABELO J NDLOVU-GATSHENI
The Dynamics of Epistemological Decolonisation in the 21st Century: Towards Epistemic Freedom
MALAIKA WA AZANIA
The Timbila LIbrary - 120 books to read by age 28
Theme Timbila Library
NOSIPHO KOTA
Seven Poems
MING DI
“Through Multiculturalism We Become Better Humans”: A Conversation with Vonani Bila
VONANI BILA
Ancestral Wealth
TINYIKO MALULEKE
An Ode to Xilamulelamhangu: English-Xitsonga Dictionary
MZI MAHOLA
Three Poems
MXOLISI NYEZWA
Seven Notes To A Black friend, The Dance of the Ancestors and Two Other Songs That Happened
SANDILE NGIDI
Three Poems
LUCAS LEDWABA
'I have nothing left' – flood victims count the costs
MASERAME JUNE MADINGWANE
Two Poems
RAPHAEL D’ABDON
Resistance Poetry in Post-apartheid South Africa: An Analysis of the Poetic Works and Cultural Activism of Vonani Bila
MPUMI CILIBE
American Toilet Graffiti: JFK Airport 1995
MPHUTLANE WA BOFELO
Language is Land
MAKHOSAZANA XABA
Poems from These Hands
VONANI BILA
The Pig and four other poems
MAROPODI HLABIRWA MAPALAKANYE
Troublemaker’s Prison Letter
KGAFELA OA MAGOGODI
Four Outspoken Poems
DAVID WA MAAHLAMELA
Three Poems
VUYISILE MSILA
People’s English in the Poetry of Mzi Mahola and Vonani Bila
THEMBA KA MATHE
Three Poems
MZWANDILE MATIWANA
Three Poems
ROBERT BEROLD
Four Poems
AYANDA BILLIE
Four Poems
MM MARHANELE
Three Poems
VONANI BILA
The Magician
VUYISILE MSILA
Four Poems
KELWYN SOLE
Craft Wars and ’74 – did it happen? (unpublished paper)
galleri
TSHEPO SIZWE PHOKOJOE
The Gods Must Be Crazy
THAIO ABRAHAM LEKHANYA
Mary Sibande: Reimagining the Figure of the Domestic Worker
KHEHLA CHEPAPE MAKGATO
TŠHIPA E TAGA MOHLABENG WA GAYO
DATHINI MZAYIYA
Early Works
LEFIFI TLADI
Two Letters to Kemang Wa Lehulere
TENDAI RINOS MWANAKA
Mwanaka Media: all sorts of haunts, hallucinations and motivations
ROFHIWA MADAU
Colour Bars
THULILE GAMEDZE
No end, no fairytale: On the farce of a revolutionary ‘hey day’ in contemporary South African art
KEITH ADAMS
Vakalisa Arts Associates, 1982–1992: Reflections
SAM MATHE
On Comic Books
OBINNA OBIOMA
Anyi N’Aga (We Are Going )
borborygmus
NDUDUZO MAKHATHINI
uNomkhubulwane and songs
RICHARD PITHOUSE
The radical preservation of Matsuli Music
BONGANI TAU
Ukuqophisa umlandu: Using fashion to re-locate Black Psyche in a Township
ALON SKUY
Marikana 2012/2022
CARSTEN RASCH
Searching for the Branyo
VONANI BILA
Dahl Street, Pietersburg
frictions
IGNATIA MADALANE
Not on the List
SITHEMBELE ISAAC XHEGWANA
IMAGINED: (excerpt)
ALEXANDRA KALLOS
A Kite That Bears My Name
SHANICE NDLOVU
When I Think Of My Death
VONANI BILA
The day I killed the mamba
ALLAN KOLSKI HORWITZ
Three New Poems
MPHUTLANE WA BOFELO
Biko, Jazz and Liberation Psychology
M. AYODELE HEATH
Three Poems
ZAMOKUHLE MADINANA
Three Poems
MASELLO MOTANA
Four BLK Poems
FORTUNATE JWARA
Three Delusions
NIEVILLE DUBE
Three Joburg Stories
VERNIE FEBRUARY
Of snakes and mice — iinyoka neempuku
KNEO MOKGOPA
Woundedness
claque
VONANI BILA
Poetry of social obliteration and intimacy
MZOXOLO VIMBA
The weight of the sack: Hessian, history and new meaning in Tshepo Sizwe Phokojoe’s “The Gods Must be Crazy” exhibition.
LORRAINE SITHOLE
Heading
NEO RAMOUPI
title
DIMAKATSO SEDITE
title
MENZI MASEKO
Acknowledging Spiritual Power Beyond Belief - A Review of Restoring Africa’s Spiritual Identity by African Hidden Voices (AHV)
ekaya
VONANI BILA
The Timbila Poetry Project
LWAZI LUSHABA
A Video Call with Kopano Ratele on Politics and the Black Psyche, 22 July 2024
MARTIN JANSEN
Where is the Better Lyf You Promised Us?
THOMAS HYLLAND ERIKSEN & RIAAN OPPELT
Post-apartheid diversification through Afrikaaps: language, power and superdiversity in the Western Cape
THADDEUS METZ
Academic Publishing is a Criminal Operation
MARGARET E. WALKER
Towards a Decolonized Music History Curriculum
VONANI BILA
Probing ‘Place’ as a Catalyst for Poetry
off the record
MIRIAM MAKEBA
Sonke Mdluli
ACHILLE MBEMBE
Decolonizing Knowledge and the Question of the Archive
ZAKES MDA
Biko's Children (12 September 2001)
VONANI BILA
Ku Hluvukile eka ‘Zete’: Recovering history and heritage through the influence of Xitsonga disco maestro, Obed Ngobeni
MATSULI MUSIC
The Back Covers
THEODORE LOUW
Reminiscing
GAVIN STEINGO
To be filled
LEHLOHONOLO PHAFOLI
The Evolution of Sotho Accordion Music in Lesotho: 1980-2005
DOUGIE OAKES
On Arthur Nortje, The Poet Who Wouldn’t Look Away
PULE LECHESA
Sophonia Machabe Mofokeng: Distinguished Essayist and Dramatist in the pantheon of Sesotho Literature
NOKUTHULA MAZIBUKO
Spring Offensive
WALTER MIGNOLO
Presentación El cine en el quehacer (descolonial) del *hombre*
feedback
MUSA SITHOLE
In Defence of Afropessimism: Aryan Kaganof’s Miseducation(reading) of Frank B. Wilderson III – ANTIBLACKNESS AND THE QUESTION OF PALESTINE
OSCAR HEMER
16 October 2025
NIDA YOUNIS
22 September 2025
PALESA MOKWENA
9 October 2024
MATTHEW PATEMAN
11 August 2024
RAFIEKA WILLIAMS
12 August 2023
ARYAN KAGANOF
26 October 2021 – A letter to Masixole Mlandu
FACEBOOK FEEDBACK
Facebook
herri_gram FEEDBACK
Instagram
PhD
ALICE PATRICIA MEYER
Timbila Poetry: Vonani Bila’s Poetic Project
the selektah
VONANI BILA
Vonani's Choice
ARYAN KAGANOF
herri films
hotlynx
hotlynx
.
the back page
MENZI APEDEMAK MASEKO
The Meaning of ‘Bantu’
ROLANDO VÁZQUEZ
Translation as Erasure: Thoughts on Modernity’s Epistemic Violence
VONANI BILA
Moses, we shall sing your Redemption Song
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    #12
  • frictions

M. AYODELE HEATH

Three Poems

Things My Father Gave Me (Which I Never Asked For)

Life. A backyard with a pitching mound.
A split-finger fastball, a slider, a curve.
How to break in a glove. When to slide headfirst. A family name to uphold. Open arms.

Time. A Huffy bike. How to crack pecans. A sandbox. How to piss. How to be a rock. When to till the Earth. How to make a fist. When to fight. When to smile. How to trap a rabbit. How to catch a liar. How to play dumb. How to speak when White people are present. How to talk when White folk ain't. Prejudice. The difference between a flathead, a Phillips head, and a hard head. A roof over my head. Room to grow.

How to shoot a free throw. When to call a foul. How to drive. A high-top fade. Marvin Gaye. Confidence. How to ask out a lady, how to let her be a womon. How to put out a brush fire. How to pump gas. A pimpstroll. How to use a level. How to keep your cool. When to be cool. Cool.

How to mow the lawn, to hammer, to saw. How to change a tire, when to change the oil, how to handle change. How to smoke out wasps. Where to get good fish. Funk & Wagnalls. Skepticism. How to pick good watermelon. When to ask for help, when to give it. How to speak when you have something to add. How to listen when you don't. A love of brown. Talbotton. How to tie a tie. How to lead. How to follow. How to read the spread. When to swallow your pride. Quiet strength. How to raise a fence. How to use a knife as a pencil sharpener. When to shoot a gun.

A Black hero. How to earn an honest dollar. A key. How to shake a man's hand. How to look him in the eye. How to tip. How to save. A day of rest. Humility. Sunday drives. A thirst to learn. A bookcase. Peace in the home. Muscadines. Nights to dream. Dreambooks. A reason to cry. Dark skin. Strong teeth. Full lips. A narrow frame. Forgiveness. The thickness of blood. A brother. How to care for elders, how to honour them. How to buy a suit. How to admit when you’re wrong. How to apologize before the funeral. How to love. How to always come Home.
The Falls
(Howick Falls, Kwazulu Natal)

Far beyond the polished metallic fence, disrupting the endless expanse of a green so green it burned the eyes, tons and tons of thunderous waters poured. & poured. & poured. Far off one could see in the mist, three Zulu women in bright headscarves at the waterfall's edge, tediously beating clothes against rocks, just footsteps from an astounding 30-storey death.

Loitering to my left: a lone native child in school uniform - yellowed shirt untucked from his shorts, nose running, face the ruddy darkness of dust. My first instinct: Lock your heart, or he’ll hustle you for money. What, then, if more come? But when he opened his mouth, the black moons of his eyes swallowed me. My heart broke.

IsiZulu or IsiNdebele or Sesotho or IsiXhosa or Tshivenda or Xitsonga Sepedi or Setswana? All I knew was that the falling syllables were not English, & unlike European tongues, in which I can often fish some semblance of meaning from webs in sound, here, an American in Zululand, my net returned without so much as bones.

My mouth turned to stone as I heard his tongue click, watched his lips move. Sawubona was what my skin had said to him, but which my vocal tones could not. As the waters rushed, the women laundering shirts defying the sunset, here stood a poet who could offer Nothing to the boy - not even words, not even tears.
On a Fieldtrip to the Jim Crow Museum, Kenya Learns (the Meaning of No)

Here’s an oak gavel
No Negro ever swung. Over here, a 1st base
no Nigra ever reached. Here, a stethoscope
to never touch a Negro chest. And here, a pine pulpit
Where no Nigger has ever preached.

Here’s a ballot box
to never hold a Negro vote. Here, a lunch counter
where no Negro was ever fed. Here is a frontdoor
no Coon ever crossed. And here, graveyard soil
that never buried no nigger dead.

Here is a swearing Bible
no Darkie ever used. Here is a ticket window
no Tarbaby ever used. Here, a Coca-Cola machine
no Sambo ever used. And here, a whole half of a bus
no Nigger will ever use!

Here is a drinking fountain
to never wet no Niggerlips. Here, a spotless toilet
Where no nigger ever shit. And locked here, dear,
a textbook no Nigger has ever read, filled with a knowledge

No Nigger will ever get.
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MPHUTLANE WA BOFELO
ZAMOKUHLE MADINANA
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